News & Reviews

 

[note: site registration may be necessary to read some of these articles]

2007-2008 Season:
Seen and Heard International Concert Review: Seattle Symphony, Bremerton Symphony "Messiahs" [12/15/07]
Symphony Easily Clears the Bar in Season Opener [Kitsap Sun 10/8/07]
Experience, Enthusiasm: It's a Wynne-Wynne Situation [Kitsap Sun 10/5/07]

2006-2007 Season:
"Beethoven's Ninth" Concert Review from MusicWeb International[5/13/07]
"Mozart and Tchaikovsky" Concert Review from MusicWeb International [4/21/07]
Symphony Just Keeps Getting Better [Kitsap Sun 3/2/07]
Find a Home For Our Symphony!
[Kitsap Sun 10/8/06]
Symphony Doesn't Miss a Beat in Season Debut
[Kitsap Sun 10/8/06]
"Rossini, Ravel and Sibelius" Concert Review from MusicWeb International
[10/8/06]
Starting Your Classical Library?
[Kitsap Sun 10/7/06]
(with BSA musicians' favorite classical pieces)
The Stoyanoviches: All in the Family
[Kitsap Sun 10/6/06]

2005-2006 Season:
Symphonically, We're Lucky, and That's An Understatement [5/12/06]
"Seen and Heard Concert Review" from MusicWeb International
[5/7/06]
Symphony, Chorale Announce Blockbuster 2006-07 Season [5/12/06]
Symphony promises a grand Grand Finale [5/3/06]
Save Symphony dates: They're worth it! [11/18/05]
Building the Music: The BSYO Debuts [11/18/05]
Symphony Shines in Season Opener [10/2/05]
When Symphony plays, everyone should listen [9/30/05]

March 2, 2007

Notes on a Wild, Woolly, Wet - and Entertaining - Weekend (Feb. 24 concert review)

Kitsap Sun A&E Section
By Michael C. Moore, A&E Editor

...Every once in a while, I do a little harping about the Bremerton Symphony and how worthwhile their concerts are.

Well, here I go again. Their program Feb. 24 was the finest I’ve seen them do in the three years I’ve been following them, highlighted by spirited backing of guest soloist Amos Yang on Dvorak’s gorgeous, emotional cello concerto.

I’ll admit I thought the Wagner ("Siegfried Funeral March") which began the program was a little wobbly at times. But the Dvorak was so beautifully played I found myself wondering how anything that followed the intermission could be anything but anticlimactic.

Well, it wasn’t. The Symphony did thrilling service to Saint-Saens’ "Organ" Symphony, with guest organist Robert Baker (Maestra Elizabeth Stoyanovich’s brother, incidentally) rumbling the hall with the bass pedals and the Symphony handling the tricky work (especially the thrill-ride of a third movement) rather brilliantly.

The musicians keep rising to the challenges presented to them by Stoyanovich’s programming. And as a result, our very good symphony just keeps getting better and better....

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January 5, 2007

Find a Home for Our Symphony!

Kitsap Sun A&E Section
By Michael C. Moore, A&E Editor

...The Symphony needs a better office, a home — a one-stop shopping-style place where they can conduct their business, meet and rehearse, store instruments, et cetera, all under one roof.

Much as Seattle built Benaroya Hall for the Seattle Symphony, Bremerton needs to take an active hand in helping its Symphony find a permanent digs, in recognition of the 63-year-old organization’s growth and its contribution to Kitsap’s way of life, and in recognition of the dogged work done by music director Elizabeth Stoyanovich, her staff and all of her musicians to bring outstanding classical music performances to our area.

... Let’s get the Symphony situated.

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October 8, 2006

Symphony Doesn't Miss a Beat in Season Opener

Kitsap Sun A&E Section
By Michael C. Moore, A&E Editor

The Bremerton Symphony picked up in October right where it left off back in April — on a high note.

Music Director Elizabeth Stoyanovich led her volunteer charges through a diverse, provocative and distinctly modern program Saturday evening at the Bremerton Performing Arts Center that was nearly as challenging for the concertgoers as it was for the players themselves. And, while carried off with aplomb, the season-opening performance left some room for continued growth through what promises to be another outstanding season, Stoyanovich’s fourth on the podium.

A few opening-night nerves notwithstanding, the readings of the overture to Rossini’s "Barber of Seville," Ravel’s "Bolero" and Sibelius’ second symphony were mostly on the mark, earning appreciative response from the two-thirds-capacity crowd.

Of the three, the Symphony fared best with the Sibelius — which is to say they fared very well indeed. They navigated with seeming effortlessness through the piece’s confounding collection of dramatic themes, gorgeous melodies and dynamic shifts.... The brief Rossini overture (circa 1813) which kicked off the evening was a treat, and showed off a string section which has bulked up its sound even further from 2005-06. ...

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May 12, 2006

Symphonically, We're Lucky, and That's An Understatement

Kitsap Sun A&E Section
By Michael C. Moore, A&E Editor

...I’ve said it before, and I’ll say it again: To be able to hear great music, played the way it’s supposed to be played, and to be able to do it without first having to get on an eastbound boat, is a wonderful, exciting thing. I don’t know how many communities our size can boast an orchestra and chorale that can take a piece like Carl Orff’s "Carmina Burana" (not to mention all the other challenging works they so ably performed during the season) and wring it out for all it’s worth. But that’s what music director Elizabeth Stoyanovich, Chorale director LeeAnne Campos and their volunteer companies did Sunday in the stirring 2005-06 season finale. The audience — a near-full house, by the way — got to appreciate "Carmina" not just for its roof-rattling beginning and ending, but for all the fascination they bookend.

It is a fascinating piece, too, one that took every musician Stoyanovich could find room for on the stage, including two pianos, bells, gongs and probably every other piece of percussion equipment they could find in the BSA storage room. Sure, they sent for reinforcements. Contributions from the Tahoma Boys’ and Girls’ Choir added charm, and from the Cora Voce Choir added even more throat to the Chorale. Soloists Jessica Robins Milanese, Paul Karaitis and Barry Johnson all were top-drawer. (A tip of the hat, too, to violinist Steven Bryant and violist Gwen Franz, who were front and just-left-of-center for the concert’s opener, Mozart’s "Sinfonia Concertante.")

...The occupied seats and the other signs of support are well deserved.  BSA is on the right track — there’s ample evidence of that at every concert.

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May 12, 2006

Symphony, Chorale Announce Blockbuster '06-'07 Season

By Kitsap Sun Staff

Excerpt:
Coming off one of the most spectacular concerts in its history — the 2005-06 season finale of Carl Orff’s "Carmina Burana" — the Bremerton Symphony Association announced a blockbuster lineup for its 2006-07 campaign.

Following the formula that produced such positive results in the season just passed, BSA’s Symphony and Chorale will combine twice, during the Yuletide season and again for a grand finale that will rival, if not surpass, the Orff: Beethoven’s Ninth. As it did for the 2005-06 season-ender, BSA also has called in reinforcements for its May 12 finale. The Symphony and Chorale will be joined by the Olympic College Chorale and soloists Janeanne Houston, Lori Summers and Stephen Wall (with a fourth soloist to be announced.

The season — Elizabeth Stoyanovich’s fourth as music director and conductor — will open Oct. 7 with a trio of familiar works, staring with the overture to Rossini’s opera "The Barber of Seville" and Ravel’s "Bolero" and anchored by the second symphony of Jean Sibelius.

View full story here. [site registration may be required]

November 18, 2005

Save Symphony dates: They're worth it!

Kitsap Sun A&E Section, page 4
By Michael Moore, A&E Editor

Excerpt:
"
...
But save, if you would, one Saturday evening a month for the Bremerton Symphony. They're worth it.

[On November 5] we were rewarded with a second straight Classic Series offering that challenged both the orchestra and the audience. The showpiece was Brahms' lovely Fourth Symphony, but Maestra Elizabeth Stoyanovich et al had a little extra something up their sleeves with Paul Hindemith's "Symphonic Metamorphosis of Themes by Carl Maria von Weber."

The four-movement, four-mood "Metamorphosis" is a load, a musical fireworks display with every color of the spectrum represented, and the locals gave it a real good ride. It's as difficult a piece as you could imagine — not one you're liable to have the chance to hear played live very often — but the Symphony never seemed the least bit intimidated by it. Their performance allowed the piece to be just as beautiful, and just as much fun, as it can be. ... "

View full story here.

November 18, 2005

Building the Music:  Director John Falskow of the newly minted Bremerton Symphony Youth Orchestra is enjoying his challenge of recruiting young musicians and teaching them to work together.

Kitsap Sun, page B1
By Chris Kornelis, Features Writer

Excerpt:
[Dr. Falskow's] work with his latest labor of love — as music director of the newly minted Bremerton Symphony Youth Orchestra — will be showcased at the group's first concert at 4 p.m. Sunday at the Bremerton High School Performing Arts Center.

"The sparks really fly," Falskow said of working with young musicians. "It seems a little more pure and naive. The students are really the energy behind it."

View full story here.

 
 

©2007 Bremerton Symphony Association • 532 Fifth Street, Suite 16 • P.O. Box 996 • Bremerton, WA 98337 • 360-373-1722 • symphony@symphonic.org
all programs subject to change without notice